{"id":76,"date":"2011-07-10T19:03:35","date_gmt":"2011-07-10T19:03:35","guid":{"rendered":"http:\/\/www.andrearocca.com\/?page_id=76"},"modified":"2023-04-23T16:50:59","modified_gmt":"2023-04-23T15:50:59","slug":"equipment","status":"publish","type":"page","link":"http:\/\/www.andrearocca.com\/?page_id=76","title":{"rendered":"Equipment"},"content":{"rendered":"<p><span style=\"text-decoration: underline;\">HOST<strong> SOFTWARE<br \/>\n<\/strong><\/span><strong>Metric Halo Mio Console 3D<\/strong><br \/>\n<strong> Logic Pro X<\/strong><br \/>\n<strong>Presonus Studio One\u00a0Professional<\/strong><\/p>\n<p><span style=\"text-decoration: underline;\"><strong>SOFTWARE INSTRUMENTS &amp; PLUGINS<br \/>\n<\/strong><\/span>A Godzilla-sized \u00a0library of original sounds &amp; noises \u00a0&#8211; put together over years of sonic plundering and manipulation &#8211; complemented by some of the best\u00a0in commercially available software instruments and samples:<\/p>\n<p>Native Instruments (Komplete 12 Ultimate), Spectrasonics, Spitfire Audio, VSL, Imperfect Samples, Hollow Sun, Soniccouture, Sound Dust, Softube, AudioThing, Wavelore, iZotope, Camel Audio, Toontracks, Fxpansion, Vital Arts Media, UVI, Acoustic Samples, Linplug, Rhythmic Robot, Big Fish, Waldorf and more.<\/p>\n<p>Universal Audio, Soundtoys, Brainworx, Softube, Metric Halo, Sonimus, Kush and Klanghelm plugins.<\/p>\n<p><span style=\"text-decoration: underline;\"><strong>COMPUTERS and DSP<br \/>\n<\/strong><\/span><strong>Mac Pro 6,1<\/strong>\u00a0&#8211; 2.7\u00a0Ghz Twelve Core, \u00a064 GB RAM<br \/>\n<strong>MacBook Pro &#8211;\u00a0<\/strong>2.2 Ghz\u00a0i7, 16 GB RAM<br \/>\n<strong>Universal Audio UAD-2 Satellite Octo<\/strong><br \/>\n<span style=\"font-weight: 600;\">Softube Console 1<br \/>\nSoftube Console 1 Fader<br \/>\nNative Instruments Maschine Mk3<\/span><\/p>\n<p><span style=\"font-weight: 600;\"><strong><span style=\"text-decoration: underline;\">CONVERTERS<br \/>\n<\/span><\/strong><\/span><strong>Metric Halo ULN-8 3D\u00a0<\/strong><br \/>\n<strong>Mytek \u00a0Stereo 96 DAC<br \/>\nUniversal Audio Apollo Twin MkII<br \/>\n<\/strong><\/p>\n<p><strong><span style=\"text-decoration: underline;\">MONITORING<br \/>\n<\/span><\/strong><strong>ProAc Studio 100<\/strong>s \u00a0&#8211; Yamaha PC2002M Amplifier<strong><br \/>\n<\/strong><strong>Avantone Mixcubes\u00a0<\/strong>&#8211; Hafler DH200 \u00a0Amplifier<br \/>\n<b>Event 20\/20s<br \/>\nOllo Audio S5X\u00a0<\/b><\/p>\n<p><span style=\"text-decoration: underline;\"><strong>CONSOLE<br \/>\n<\/strong><\/span><strong>Toft Audio Designs ATB 16 with Meter Bridge<\/strong><\/p>\n<p><span style=\"text-decoration: underline;\"><strong>SYNTHS<br \/>\n<\/strong><\/span><strong>EMS Synthi AKS<br \/>\nEowave Quadrantic Swarm<br \/>\nEowave Weather Drones<br \/>\nStudio Electronics Oscillation<br \/>\nKoma Electronik Field Kit<br \/>\nKoma Electronic Field Kit FX<br \/>\nMutable Instruments Ears<\/strong><br \/>\n<strong>Mutable Instruments Clouds<\/strong><br \/>\n<strong>Mutable Instruments Elements<\/strong><br \/>\n<strong>Music Thing Radio Music<\/strong><br \/>\n<strong>Squarp Instruments Rample<\/strong><br \/>\n<strong> Moog Mother 32<br \/>\n<\/strong><strong> Korg MS-10<\/strong><br \/>\n<strong> Korg Electribe ER-1<\/strong><br \/>\n<strong> No1 Electronics Theremin<\/strong><\/p>\n<p><strong><span style=\"text-decoration: underline;\">OUTBOARD\/ EFFECTS<br \/>\n<\/span><\/strong><strong>Universal Audio 4-710 D <\/strong>4 Channels Preamp<br \/>\n<strong>Cranborne Audio Camden 500 <\/strong>Preamp x 2<strong><br \/>\nAudient ASP 880<\/strong> 8 Channels Preamp<br \/>\n<strong>Black Lion Audio Bluey<\/strong> 500 FET Limiting Amplifier<br \/>\n<strong>DBX 560A <\/strong>Compressor x 4<br \/>\n<strong> DBX 119 <\/strong>Compressor x2<br \/>\n<strong>Elysia xpressor|neo 500<\/strong> Compressor<br \/>\n<strong>IGS AUDIO ONE LA 500<\/strong> Compressor<br \/>\n<strong>Wes Audio Dione<\/strong> Compressor<br \/>\n<strong> Alesis Micro Limiter <\/strong>Compressor x2<br \/>\n<strong>Elysia Karacter 500<br \/>\nWes Audio Hyperion<\/strong> Stereo EQ<br \/>\n<strong>Aphex Aural Exciter 103A\u00a0Type C<br \/>\nKlark Teknik 3RD DIMENSION<br \/>\nThermionic Culture Purple Bustard <\/strong>&#8211; Summing Mixer<\/p>\n<p><strong>Vermona Retroverb <\/strong>Spring Reverb\/ Filter<br \/>\n<strong> AKG BX-5 <\/strong>Spring Reverb<br \/>\n<strong> Lexicon LXP-1 <\/strong>Reverb<br \/>\n<strong> Eventide Timefactor <\/strong>Dual Digital Delay<br \/>\n<strong> Eventide H910 <\/strong>Harmonizer<br \/>\n<strong>Chase Bliss Habit<\/strong> Delay<br \/>\n<strong>Chase Bliss Blooper<\/strong> Looper<br \/>\n<strong>Red Panda Particle 2\u00a0<\/strong><br \/>\n<strong>Red Panda Tensor<\/strong><br \/>\n<strong>Malekko Charlie Foxtrot<\/strong><br \/>\n<strong> Watkins WEM Copicat <\/strong>Tape Delay<br \/>\n<strong> Seiwa DDX-777 Early 80&#8217;s <\/strong>Digital Delay<strong><br \/>\nEmagic Unitor 8 Mk2 <\/strong>Midi Interface\/Synchroniser<\/p>\n<p><strong><span style=\"text-decoration: underline;\">TAPE MACHINES<\/span><br \/>\n<\/strong><span style=\"line-height: 1.5;\"><strong>Revox PR99 MK III<\/strong><br \/>\n<strong>Fostex R8 with MTC-1\u00a0LTC converter<\/strong><br \/>\n<\/span><span style=\"line-height: 1.5;\"><strong>Sony DAT<\/strong><\/span><\/p>\n<p><span style=\"text-decoration: underline;\"><strong>MICROPHONES<br \/>\n<\/strong><\/span><strong>AKG 414 B-ULS (x2)<br \/>\nAudio Technica ATM 450 (x2)<br \/>\n<\/strong><strong>Lewitt LCT 1040<\/strong> Valve\/Fet, Variable Saturation<strong>\u00a0 &#8211; \u00a0<\/strong>sublime vocal microphone.<span style=\"text-decoration: underline;\"><strong><br \/>\n<\/strong><\/span><strong>Lewitt LCT 940 <\/strong>Valve\/ Fet <em><br \/>\n<\/em><strong>Lewitt LCT 640 TS<\/strong>\u00a0&#8211; <em>dual capsule.<\/em><br \/>\n<strong>Lewitt LCT 550 (x2)<\/strong> &#8211; <em>nominal 0 db self-noise.<br \/>\n<\/em><strong>Lewitt LCT 140 Air<br \/>\n<\/strong><strong>Lewitt LCT 040 Match (x2)<\/strong><\/p>\n<p><strong>AEA R84\u00a0<\/strong><br \/>\n<strong>T.Bone RB500 <\/strong>(x3)<\/p>\n<p><strong>Heil PR 30<\/strong><br \/>\n<strong> Avantone Mondo<br \/>\nBeyerdynamic M64<\/strong><br \/>\n<strong> Lewitt MTP 440 DM <\/strong>(x3)<br \/>\n<strong>Sennheiser MD 421<\/strong><br \/>\n<strong>Sennheiser e609<br \/>\nShure SM7B<\/strong><br \/>\n<strong>AKG D40<\/strong> (x 4)<br \/>\n<strong>Superlux PRA-218A<\/strong><br \/>\n<strong>Shure SM7B<br \/>\nTeisco DM 304<\/strong><\/p>\n<p><strong>AKG CBL 99<\/strong> (x2)<\/p>\n<p><b><u>GUITARS<br \/>\n<\/u><\/b><strong>Fender Telecaster Deluxe Ash<\/strong>, <em>USA 2006 &#8211; Glendale Saddles, Kinman Broadcaster Pickups<br \/>\n<\/em><strong>Fender Jazz Telecaster<\/strong>, <em>USA 2018, Mastery Bridge, Creamery Baby71 Wide Range Humbuckers.<br \/>\n<\/em><strong>Fender Mustang<\/strong><em><strong>,\u00a0<\/strong>USA 1965, Mastery Bridge, Warmoth Neck, \u00a0Kinman Woodstock Pickups.<\/em><br \/>\n<strong>Fender Jazzmaster<\/strong>, <em>Japan 1992<\/em> &#8211;\u00a0<em>Mastery Bridge,<\/em>\u00a0<em>Kinman FatMaster Pickups.<\/em><em><br \/>\n<\/em><strong>Epiphone Casino<\/strong>, Korea 2010<br \/>\n<strong>Hohner G2T, 1989<\/strong> &#8211;\u00a0<em>Dimarzio Bluesbucker pickups.<\/em><br \/>\n<strong>Hofner Violin Bass<\/strong> &#8211; <em>will do bass lines for you no problem.<\/em><br \/>\n<strong>Tanglewood TRP-73-VSE <\/strong>Parlour Acoustic<br \/>\n<strong>Ashbury AG-55 <\/strong>Lap Steel<\/p>\n<p><strong><span style=\"text-decoration: underline;\">AMPLIFIERS<br \/>\n<\/span>Fender &#8217;65 Deluxe Reverb<\/strong><br \/>\n<strong>Orange Dual Terror<\/strong><br \/>\n<strong>Roland JC40<\/strong><br \/>\n<strong>Koch Amps Dummybox<br \/>\nTwo Notes Torpedo CAB M+<br \/>\nTwo Notes Revolt<\/strong><\/p>\n<p><span style=\"text-decoration: underline;\"><strong>EFFECT PEDALS<br \/>\n<\/strong><\/span>Loads \ud83d\ude42<\/p>\n<p><strong><span style=\"text-decoration: underline;\">DRUMS\/PERCUSSION<br \/>\n<\/span>Gretsch 16\u201d<\/strong> Bass Dum<br \/>\n<strong>Mapex Saturn 24\u201d<\/strong> Bass Drum<\/p>\n<p><strong>Ludwig Supraphonic<\/strong> snare, aluminium, 14\u201d, 1965<br \/>\n<strong>Premier 2000<\/strong> snare, aluminium, 14\u201d, 1976<br \/>\n<strong>Premier Royal Ace<\/strong> snare, birch, 14\u201d, 1972<br \/>\n<strong>Gretsch Mighty Mini<\/strong> Snare, poplar, \u00a010&#8243;<\/p>\n<p><strong>Mapex Saturn Toms<\/strong> 12\u201d, 14\u201d, 16\u201d<\/p>\n<p><strong>Zildjian New Beat 14<\/strong>\u201d Hi Hats<br \/>\n<strong>Paiste DJ45 12\u201d<\/strong> Hi-Hat<br \/>\n<strong>Sabian XS 20\u201d<\/strong> Medium Ride<br \/>\n<strong>Paiste DJs 45 12\u201d<\/strong> Ride<br \/>\n<strong>Zildjian A 18\u201d<\/strong> Crash<br \/>\n<strong>Paiste DJs 45 12<\/strong>\u201d Crash\/ Splash<\/p>\n<p><strong>Latin Percussion<\/strong> Low Conga, Bongos, Cowbells, Guiro, Tambourines, Shakers.<\/p>\n<p><strong><span style=\"text-decoration: underline;\">\u00a0<\/span><\/strong><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>HOST SOFTWARE Metric Halo Mio Console 3D Logic Pro X Presonus Studio One\u00a0Professional SOFTWARE INSTRUMENTS &amp; PLUGINS A Godzilla-sized \u00a0library of original sounds &amp; noises \u00a0&#8211; put together over years of sonic plundering and manipulation &#8211; complemented by some of the best\u00a0in commercially available software instruments and samples: Native Instruments (Komplete 12 Ultimate), Spectrasonics, Spitfire&#8230;<\/p>\n<div class=\"read_more\"><a href=\"http:\/\/www.andrearocca.com\/?page_id=76\">Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/www.andrearocca.com\/index.php?rest_route=\/wp\/v2\/pages\/76"}],"collection":[{"href":"http:\/\/www.andrearocca.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.andrearocca.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.andrearocca.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.andrearocca.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=76"}],"version-history":[{"count":282,"href":"http:\/\/www.andrearocca.com\/index.php?rest_route=\/wp\/v2\/pages\/76\/revisions"}],"predecessor-version":[{"id":1387,"href":"http:\/\/www.andrearocca.com\/index.php?rest_route=\/wp\/v2\/pages\/76\/revisions\/1387"}],"wp:attachment":[{"href":"http:\/\/www.andrearocca.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=76"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}